Robert Aitken (Staatliche Hochschule für Musik, Freiburg, and New Music Concerts, Toronto):  Lutosławski as I knew him

Taylor Brook (Columbia University): Neoclassicism in Lutosławski Double Concerto

James Harley (University of Guelph): Lutosławski as Mentor

Chris Paul Harman (Schulich School of Music, McGill University): Strategies of Instrumentation and Orchestration in Lutosławski Cello Concerto

Lisa Jakelski (Eastman School of Music, University of Rochester): Witold Lutosławski and the Ethics of Abstraction

Marcin Krajewski (Uniwersytet Warszawski): The Principle of Chromatic Density in the Late Music of Witold Lutosławski

Stanisław Krupowicz (Akademia Muzyczna im. Karola Lipińskiego we Wrocławiu): Witold Lutosławski - An Algorithmic Music Composer?

Charles Bodman Rae (Elder Conservatorium of Music, University of Adelaide): The Lutosławski Legacy

Duncan Schouten (Schulich School of Music, McGill University): Centrifugal and Centripetal Forces in Witold Lutosławskis Chain 3

Maja Trochimczyk: Witold Lutosławski and musique concrete: The Technique of Sound Planes and Its Sources