Music and Legacy 

        Conférence internationale 
McGill University, Montréal, 26 octobre 2013 

  • Robert Aitken (Staatliche Hochschule für Musik, Freiburg, and New Music Concerts, Toronto):  Lutosławski as I knew him

  • Taylor Brook (Columbia University): Neoclassicism in Lutosławski Double Concerto

  • James Harley (University of Guelph): Lutosławski as Mentor

  • Chris Paul Harman (Schulich School of Music, McGill University): Strategies of Instrumentation and Orchestration in Lutosławski Cello Concerto

  • Lisa Jakelski (Eastman School of Music, University of Rochester): Witold Lutosławski and the Ethics of Abstraction

  • Marcin Krajewski (Uniwersytet Warszawski): The Principle of Chromatic Density in the Late Music of Witold Lutosławski

  • Stanisław Krupowicz (Akademia Muzyczna im. Karola Lipińskiego we Wrocławiu): Witold Lutosławski - An Algorithmic Music Composer?

  • Charles Bodman Rae (Elder Conservatorium of Music, University of Adelaide): The Lutosławski Legacy

  • Duncan Schouten (Schulich School of Music, McGill University): Centrifugal and Centripetal Forces in Witold Lutosławskis Chain 3

  • Maja Trochimczyk: Witold Lutosławski and musique concrete: The Technique of Sound Planes and Its Sources